How Movement Makes Meaning:

a collaborative dossier on dance, dramaturgy and the global refugee crisis.  NYUAD J-term 2018.


Dramaturgy, Dance, and the Development of Aakash Odedra’s #JeSuis

  • what we saw
  • where we went
    • Acropoli, Athina, Central Athens, Greece
    • Acropolis Museum, Athens, Greece
    • Apostoli Community Center, Moschato, Greece
    • City Plaza Hotel Athens, Athens, Greece
    • Athens Studio Hotel
    • Eleonas Refugee Camp, Athens, Greece
    • Kypseli Market
    • Melissa Network, Athens, Greece
    • National Museum of Contemporary Art, Athens, Central Athens, Greece
    • Skaramagas Refugee Camp, West Athens, Greece
    • The Arts Center at NYU Abu Dhabi – Abu Dhabi – United Arab Emirates
  • what we danced
    • january 4
    • january 6
    • january 7
    • january 8
    • january 9
    • january 13
  • keywords
    • Acceptance
    • Choreography
    • Dramaturg
    • Hellenism
    • Hybridity
    • Improvisation
    • Legal Limbo
      • Legal Limbo
      • Legal Limbo
    • Optimism
      • Optimism
      • Optimism
      • Optimism
    • Redundancy
    • Refugee
    • Research
    • Risk
  • #JeSuis
    • rehersals
      • session 1
      • session 2
      • session 3
      • session 4
      • session 5
    • company interviews
      • Aakash Odedra
      • Beril Şenöz
      • Evrim Akyay
      • Gizem Aksu
      • Melissa Ugolini
      • Su Güzey
      • Taner Güngör
      • Yasin Anar
  • refugee shelters
    • Skaramagkas Camp
      • Introduction to Skaramagkas Camp and a Description of the Place
    • Eleonas Camp
      • Introduction to Eleonas Camp
    • Apostoli Community Center
      • General impressions on Apostoli Community Center
    • The Melissa Network
      • Melissa Network
    • City Plaza Hotel
    • Kipseli Market
  • this dossier
    • Resources
    • Syllabus
    • Contributors
    • NYUAD Arts Center
  • bibliography

January 7, Images & Videos from the Third Class




January 7







Warm-Up: The Wave

The Kidney-Move

The First Half of the Group Runs the Phrase

The Second Half of the Group Runs the Phrase

Learning the Mudras Phrase

 

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A New Perspective

Debra’s Observations of
the Second Class

A New Perspective